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	<front>
		<journal-meta>
			
			<journal-title-group>
					<journal-title>Rivista del Museo Egizio</journal-title>
				</journal-title-group>
			
			<publisher>
				<publisher-name>Museo Egizio</publisher-name>
				<publisher-loc>Torino</publisher-loc>
					</publisher>
		</journal-meta>
		<article-meta>
			<article-id pub-id-type="doi">10.29353/rime.2022.4046</article-id>
			<article-categories>
				<subj-group>
					<subject>Volume 6 2022</subject>
				</subj-group>
			</article-categories>
			<title-group>
				<article-title>A Dialogue Between Past and Current Excavations at Heliopolis: The Case Study of Schiaparelli’s “Tempio del Sole” and Area 232</article-title>
			</title-group>
			<contrib-group>
				<contrib>
					<name>
						<surname>Dietze</surname>
						<given-names>Klara</given-names>
					</name>
				</contrib>
				<contrib>
					<name>
						<surname>Ugliano</surname>
						<given-names>Federica</given-names>
					</name>
				</contrib>
			</contrib-group>
			<pub-date pub-type="epub">
					<day>15</day>
					<month>04</month>
					<year>2022</year>
				</pub-date>
            <volume>6</volume>
            <permissions>
                <license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
                    <license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
                </license>
            </permissions>			
			<abstract><p>The archaeological biography of the site of Heliopolis starts at the very beginning of its secular history. In spite of its major role in European perceptions of ancient Egyptian culture, until now only little is known about the ancient metropolis, as no systematic excavations were undertaken here until recent times.</p>
<p>The aim of this paper is to shed light on the relation between the excavations conducted at Matariya/Heliopolis by the M.A.I (Missione Archeologica Italiana) between 1903 and 1906 and the archaeological investigations currently being conducted at the site by the Egyptian-German mission, focusing on the case study of the economic precinct of the Late to Ptolemaic Period (Area 232) in the main temple <italic>temenos</italic> of the sun god.</p>
<p>Thanks to an ongoing dialogue between past and current excavations, for the first time ever it is now possible to understand the architectural evolution of the site and situate some of Ernesto Schiaparelli’s most remarkable finds now stored in the Museo Egizio (Italy), including the fragments of the <italic>naoi</italic> of Djoser and Sethi I, within their original archaeological context.</p>
<p><named-content content-type="arabic-title">ملخص</named-content></p>
<p><named-content content-type="arabic-text">يبدأ التاريخ الأثري لموقع هليوبليس منذ بدايات تاريخها الطويل. على الرغم من دورها الرئيسي في التصورات الأوروبية للثقافة المصرية القديمة، إلا أنه حتى الآن لا يُعرف سوى القليل عن هذه المدينة القديمة، حيث انه لم يتم التنقيب في تلك المنطقة إلا لوقت قريب. الهدف من هذه الوثيقة هو لتسليط الضوء على العلاقة ما بين التنقيبات التي أجريت في المطرية / مصر الجديدة من قبل الـMAI (البعثة الأثرية الايطالية) بين عامي 1903 و 1906 والتحقيقات الأثرية التي تجريها حالياً البعثة المصرية الألمانية في الموقع، مع التركيز حول دراسة وضع المنطقة صناعياً خلال الفترة المتأخرة إلى العصر البطليمي (منطقة 232) في التيمينوس، المعبد الرئيسي لإله الشمس. بفضل الأبحاث المستمرة والمقارنات بين الحفريات السابقة والحالية، أصبح من الممكن الآن، ولأول مرة على الإطلاق، فهم التطور المعماري للموقع وتحديد منشأ بعض الاكتشافات الرائعة التي قام بها إرنستو سكياباريلي والمحفوظة حالياً في المتحف المصري (في إيطاليا)، بما في ذلك أجزاء من ناووس زوسر وسيتي الأول، ضمن سياقهما الأثري الأصلي.</named-content></p>
</abstract>
			<kwd-group kwd-group-type="simple"><kwd>Archive</kwd><kwd>Area 232</kwd><kwd>Egyptian-German Mission</kwd><kwd>Ernesto Schiaparelli</kwd><kwd>Excavation</kwd><kwd>Heliopolis</kwd><kwd>M.A.I.</kwd><kwd>Matariya</kwd>
			</kwd-group>
			
			
		</article-meta>
	</front>
	<body>
		
  <sec>
    <title>1. Introduction (Federica Ugliano)</title>
    <p>Heliopolis, the City of the Sun, was believed in ancient times to be central to the creation of the world.<xref ref-type="bibr" rid="ref1">1</xref> Despite its outstanding religious, political and economic role, its monumental remains have not been spared by severe plundering. In Graeco-Roman times, many statues, obelisks and sphinxes were taken to Alexandria, Rome and other cities as spoils.<xref ref-type="bibr" rid="ref2">2</xref> Moreover, starting in the Late Roman Period, Heliopolis was quarried for the construction of Cairo.<xref ref-type="bibr" rid="ref3">3</xref></p>
    <p>Since the first scientific documentation of pharaonic monuments by European travellers in the late 18<sup>th</sup> century,<xref ref-type="bibr" rid="ref4">4</xref> many scholars have identified and mapped the original remains of Heliopolis. Its main distinctive and still preserved landmarks are the Obelisk of Senusret I, the perimeter of the precinct wall (surrounding the sacred and administrative area) and the northern sector of the temenos, which has many mounds. Nowadays the archaeological site is located in the north-eastern periphery of Cairo, lying beneath the modern districts of Matariya, Arab el-Hisn, Ain Shams and Arab el Tawil (Fig. 1).<named-content content-type="pagination">2</named-content></p>
    <p>
      <fig>
        <label>Fig. 1</label>
        <caption>
          <p>The archaeological site of Heliopolis; from Petrie and Mackay, <italic>Heliopolis</italic>, 1915, pl. I created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="http://www.qgis.org" ext-link-type="uri">http://www.qgis.org</ext-link>). © Federica Ugliano, based on Esri Satellite Imagery.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-1-site.jpg"><alt-text/> <long-desc>The archaeological site of Heliopolis; from Petrie and Mackay, Heliopolis, 1915, pl. I created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. http://www.qgis.org). © Federica Ugliano, based on Esri Satellite Imagery.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-1-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Many archaeological investigations have been carried out on the site since 1840s,<xref ref-type="bibr" rid="ref5">5</xref> but only at the beginning of the 20<sup>th</sup> century did the M.A.I. (Missione Archeologica Italiana), led by Ernesto Schiaparelli (director of the Museo Egizio), start an extensive programme of excavations.<xref ref-type="bibr" rid="ref6">6</xref></p>
    <p>Thanks to his close relationship with Gaston Maspero and a general lack of interest in the site by other foreign missions,<xref ref-type="bibr" rid="ref7">7</xref> in 1902 Schiaparelli obtained the concession to excavate the ancient remains of Heliopolis.<xref ref-type="bibr" rid="ref8">8</xref></p>
    <p>Because the area was comprised of public land and various private holdings, a uniform conservation effort was far from guaranteed. Besides that, the geological nature of the land itself – which has an extremely high water-table – threatened the integrity of the site.<xref ref-type="bibr" rid="ref9">9</xref> The ownership and natural features made the preservation of the site’s archaeological evidence a pressing and critical issue.</p>
    <p>Despite all these difficulties, the M.A.I carried out four archaeological campaigns at the site between 1903 and 1906.<xref ref-type="bibr" rid="ref10">10</xref> More than 1500 inventory numbers<xref ref-type="bibr" rid="ref11">11</xref> were assigned to the artefacts brought back to Italy thanks to the so-called partage system,<xref ref-type="bibr" rid="ref12">12</xref> and all the objects were registered by Schiaparelli in a manuscript inventory according to the different excavated areas (Fig. 2): the temple (Suppl. 2671-2867), the Mnevis temple (Suppl. 2868-2879), the <italic>kôm</italic> (Suppl. 2880-3844), the necropolis (Suppl. 3845-3877), the prehistoric village (Suppl. 3878-4196) and the “pyramid” (Suppl. 4197-4221).<xref ref-type="bibr" rid="ref13">13</xref></p>
    <p>
      <fig>
        <label>Fig. 2</label>
        <caption>
          <p>The manuscript inventory. © Archivio di Stato, Torino, Fondo MAE, Secondo Versamento, Secondo Mazzo, Fascicolo 2.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-2-site.jpg"><alt-text/> <long-desc>The manuscript inventory. © Archivio di Stato, Torino, Fondo MAE, Secondo Versamento, Secondo Mazzo, Fascicolo 2.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-2-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>cc by 2.0</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Regardless of his extensive work, Schiaparelli never published the results of his excavations.<xref ref-type="bibr" rid="ref14">14</xref> He did, however, leave several notes, excavations diaries, letters and photographs (Fig. 3): a rich corpus which, unfortunately, is nowadays split among several Italian institutions.<xref ref-type="bibr" rid="ref15">15</xref></p>
    <p>
      <fig>
        <label>Fig. 3</label>
        <caption>
          <p>Selection of archival documents: Francesco Ballerini’s excavation diaries; letter from Francesco Ballerini to Ernesto Schiaparelli (19/05/1904); copy of the hieroglyphic inscriptions of the obelisk of Senusret I by Francesco Ballerini; photographic plate of one of the trenches excavated in the “tempio del Sole” area (1904). © Archivio di Stato, Torino, Fondo MAE, Terzo Versamento; © Archivio Fotografico, Museo Egizio, C01404.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-3-site.jpg"><alt-text/> <long-desc>Selection of archival documents: Francesco Ballerini’s excavation diaries; letter from Francesco Ballerini to Ernesto Schiaparelli (19/05/1904); copy of the hieroglyphic inscriptions of the obelisk of Senusret I by Francesco Ballerini; photographic plate of one of the trenches excavated in the “tempio del Sole” area (1904). © Archivio di Stato, Torino, Fondo MAE, Terzo Versamento; © Archivio Fotografico, Museo Egizio, C01404.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-3-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>cc by 2.0</license-p></license></permissions></media>
      </fig>
    </p>
    <p>The dispersal of the Heliopolis documentation has discouraged many scholars in past and recent times from any attempt at reconstructing in detail the history of the Italian excavations at this site. We consequently lack a general plan of the excavated area indicating the original trenches dug out by Schiaparelli<named-content content-type="pagination">3-4</named-content> and his team. Despite the quite accurate registration of the artefacts according to their find spot, the archaeological material uncovered by the Italian Mission and stored in the Museo Egizio seemed doomed to remaining just a mere collection of valuable objects without a proper archaeological context.<xref ref-type="bibr" rid="ref16">16</xref></p>
    <p>A first effective means of overcoming these difficulties was to go back to the primary archived documentation. For this reason, among more than 1700 documents concerning the M.A.I. excavations at Heliopolis, stored in five main Italian institutions,<xref ref-type="bibr" rid="ref17">17</xref> 571 were selected as relevant to the present study.<xref ref-type="bibr" rid="ref18">18</xref> These selected documents were photographed/scanned, filed and transcribed. Thus, for the first time, this highly heterogenous material could be synoptically analysed (Tab. 1).</p>
    <p>
      <fig>
        <label>Tab. 1</label>
        <caption>
          <p>Archival documents selected for the present study, divided by type. © Federica Ugliano.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-4-site-1.jpg"><alt-text/> <long-desc>Archival documents selected for the present study, divided by type. © Federica Ugliano.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-4-site-1.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>To get the complete picture, however, the letters, drafts, diaries, economical accounts, and official and unofficial reports needed to be cross-correlated with the sketch plans, maps, photographs and artefacts. A “holistic” view<xref ref-type="bibr" rid="ref19">19</xref> proved to be essential in order to reassess the role of the Italian Archaeological Mission and fill the current gaps in the history of the excavations at Heliopolis.</p>
    <p>Thus, our re-contextualisation of the artefacts found by Schiaparelli and his team started from the basic notion of context. After having identified the “macro” areas as indicated in the Manuscript Inventory, thanks to the accuracy of the sketches drawn by Francesco Ballerini<xref ref-type="bibr" rid="ref20">20</xref> (Schiaparelli’s main assistant and field director), it was finally possible to re-locate most of the original excavation trenches and geo-reference them with GIS software (Fig. 4).<xref ref-type="bibr" rid="ref21">21</xref></p>
    <p>
      <fig>
        <label>Fig. 4</label>
        <caption>
          <p>Area investigated by the Italian Archaeological Mission between 1903 and 1906, created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="http://www.qgis.org" ext-link-type="uri">http://www.qgis.org</ext-link>). © Federica Ugliano.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-5-site.jpg"><alt-text/> <long-desc>Area investigated by the Italian Archaeological Mission between 1903 and 1906, created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. http://www.qgis.org). © Federica Ugliano.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-5-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
  </sec>
  <sec>
    <title>2. A case study: the “Tempio del Sole” (Federica Ugliano)</title>
    <p>Among the many remarkable discoveries of the M.A.I., an especially noteworthy one is a huge mud-brick structure of the most peculiar form. It was unearthed during the 1903–1905 campaigns in several of the trenches excavated starting less than 100 m east of the obelisk, and which extended northward into a private garden (known as Latif's Garden) and<named-content content-type="pagination">5-7</named-content> southward for more than 150 metres (Figs. 5-6).</p>
    <p>
      <fig>
        <label>Fig. 5</label>
        <caption>
          <p>Trenches excavated by the Italian Archaeological Mission in the “tempio del Sole” area, created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="http://www.qgis.org" ext-link-type="uri">http://www.qgis.org</ext-link>). © Federica Ugliano, based on the 1:5000 cadastral map (sheet n° IV-VII-3) published by the Survey of Egypt in 1917, retrieved on <ext-link xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN1027499791" ext-link-type="uri">https://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN1027499791</ext-link></p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-6-site.jpg"><alt-text/> <long-desc>Trenches excavated by the Italian Archaeological Mission in the “tempio del Sole” area, created by the author with QGIS (QGIS.org, 2021. QGIS Geographic Information System. QGIS Association. http://www.qgis.org). © Federica Ugliano, based on the 1:5000 cadastral map (sheet n° IV-VII-3) published by the Survey of Egypt in 1917, retrieved on https://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN1027499791</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-6-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>
      <fig>
        <label>Fig. 6</label>
        <caption>
          <p>Aerial photograph of the temple area and of the northern kom taken by the Royal Air Force on 29<sup>th</sup> June 1925; east of the obelisk of Senusret I, the traces of Schiaparelli’s and Petrie’s excavation trenches are still visible. © UCL, Institute of Archaeology Collections, Air Survey Photographs, Box 255 (UCL0093568), n. AP1323.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-7-site.jpg"><alt-text/> <long-desc>Aerial photograph of the temple area and of the northern kom taken by the Royal Air Force on 29th June 1925; east of the obelisk of Senusret I, the traces of Schiaparelli’s and Petrie’s excavation trenches are still visible. © UCL, Institute of Archaeology Collections, Air Survey Photographs, Box 255 (UCL0093568), n. AP1323.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-7-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>According to the final report that Schiaparelli and Ballerini wrote to the king in 1904:<xref ref-type="bibr" rid="ref22">22</xref></p>
    <p>
      <named-content content-type="text-column">[…] Ma infine, dopo poche settimane, essendosi acquisita la necessaria perizia lo scavo poté procedere sicuro, si poterono anche determinare con precisione le parti che si erano inconsapevolmente distrutte, e l'antichissimo santuario di Ra riapparve alla nostra mente nella sua interezza, nelle sue proporzioni grandiose e nella sua forma originalissima e finora senza riscontro nell'architettura egiziana.<named-content content-type="linebreak"/>Nella parte che si poté esplorare, era un edificio di forma circolare o, più esattamente, un segmento di circolo, la cui lunghezza, sebbene siasi seguita per circa centocinquanta metri, non si poté però ancora determinare, perché le estremità del medesimo si prolungavano in due campi pei quali ancora non ci fu accordato il permesso di scavo. In larghezza o profondità misurava circa quaranta metri ed era coperto da una sola ed unica volta, a curve rotte, sorretta da due muri di sostegno e da due file di pilastri che salivano a sostenerla lungo tutta la lunghezza e lungo le quattro linee, nelle quali la curva della volta si rompe mutando inclinazione e formando cinque navate, delle quali quella centrale della larghezza di oltre dodici metri e di assai minore larghezza le quattro laterali.</named-content>
    </p>
    <p>
      <named-content content-type="text-column">[…] Finally, after having acquired the necessary expertise in a few weeks, the excavation could go on safely; it was possible to precisely define the parts that had been unwittingly destroyed, and the ancient Sanctuary of Ra appeared to our mind in its entirety, in its impressive proportions and highly original form, unparalleled so far in Egyptian architecture.<named-content content-type="linebreak"/>In the section that could be explored, there was a circular building or, more precisely, a segment of a circle, whose length, despite the fact that we followed it for about one hundred and fifty metres, was impossible to determine, because it extended into two fields where we had not yet been granted permission to excavate. It was about forty metres wide or deep and was covered by a single multi-arched vault, supported by two retaining walls and two rows of pillars that went up to support it along its entire length and along the four lines, in which the curve of the vault breaks changing inclination and forming five naves, the central one being more than twelve metres wide and the four side ones much narrower.</named-content>
    </p>
    <p>But even more unexpected than the architectural structure of the building itself (Fig. 7) was the discovery of an extremely rich hoard of demolished temple inventory:</p>
    <p>
      <named-content content-type="text-column">Questa enorme volta che, anche nella navata centrale, aveva lo spessore medio di un metro, raggiunge tuttora tre e quattro metri sopra le navate laterali, tantoché nell'interno di essa si era potuto lasciare dei vani della larghezza da uno a due metri, alti circa due metri e parecchi metri lunghi, che, se per una parte ne alleggerivano il peso, per l'altra servivano come cripte o nascondigli nei quali si riponevano probabilmente gli oggetti di maggior pregio. Nei saggi di scavo fatti l'anno precedente, eravamo caduti sopra una di queste cripte, che ritenemmo allora fosse un corridoio del tempio; e in essa appunto trovammo ammucchiati i frammenti di piccole sfingi, di tabernacoli, di vasi di alabastro, di oggetti di smalto ecc., dei quali già parlammo nella prima relazione. Nell'anno corrente trovammo bensì altre due cripte consimili; ma una di esse era completamente vuota e l'altra conteneva solo pochi frammenti di scarso valore.</named-content>
    </p>
    <p><named-content content-type="text-column">This massive vault – which even in the central nave had an average thickness of one metre – attains a thickness of three to four metres in the side corridors, so that within their thickness it was possible to leave compartments – one to two metres wide, about two metres high and several metres long – in order to lighten the weight of the structure on one hand, and on the other to serve as crypts or hoards for<named-content content-type="pagination">8</named-content> hiding the more precious objects. During our last excavation, we came across one of these crypts, which at the time we believed to be a corridor of the temple. Here indeed we found, piled up, fragments of small sphinxes, of naoi, of alabaster vases, of enamel objects, etc., which we already mentioned in our first report. This year we found two other similar crypts, but one was completely empty and the other contained only a few fragments of little value.</named-content> <xref ref-type="bibr" rid="ref23">23</xref></p>
    <p>
      <fig>
        <label>Fig. 7</label>
        <caption>
          <p>Section of the “tempio del Sole”; from Schiaparelli and Ballerini, “Missione Archeologica Italiana in Egitto”, 1904, p. 21 created by the author; historical photographs of the wooden model of the “tempio del Sole” commissioned by Schiaparelli and preserved in the Museo Egizio (Provv. 8274). © Federica Ugliano; Archivio di Stato, Torino, Fondo MAE, Terzo Versamento.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-8-site.jpg"><alt-text/> <long-desc>Section of the “tempio del Sole”; from Schiaparelli and Ballerini, “Missione Archeologica Italiana in Egitto”, 1904, p. 21 created by the author; historical photographs of the wooden model of the “tempio del Sole” commissioned by Schiaparelli and preserved in the Museo Egizio (Provv. 8274). © Federica Ugliano; Archivio di Stato, Torino, Fondo MAE, Terzo Versamento.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-8-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Among the artefacts found in what Schiaparelli later re-interpreted as a “<italic>buca</italic>” (hole) in the masonry,<xref ref-type="bibr" rid="ref24">24</xref> there were some of the most significant and unique artefacts uncovered in Heliopolis<xref ref-type="bibr" rid="ref25">25</xref> (Fig. 8): among them, 2 fragments of a small sphinx with the cartouche of Thutmosis III (Suppl. 2673);<xref ref-type="bibr" rid="ref26">26</xref> about 300 fragments of a granite naos, dedicated by Seti I (Suppl. 2676);<xref ref-type="bibr" rid="ref27">27</xref> 39 fragments of a naos (or naoi) dedicated by Djoser to several gods (Suppl. 2671);<xref ref-type="bibr" rid="ref28">28</xref> a fragment of a cubit with the cartouche of Sheshonq I and some of the names (only seven preserved) of Upper Egyptian nomes (Suppl. 2681);<xref ref-type="bibr" rid="ref29">29</xref> 5 fragments of an engraved tablet with the inventory and the plan of a temple (Suppl. 2682);<xref ref-type="bibr" rid="ref30">30</xref> and a remarkable fossilized sea urchin (Suppl. 2761) that is of special note, as its inscription mention its discovery by a god’s father Tjanefer.<xref ref-type="bibr" rid="ref31">31</xref></p>
    <p>
      <fig>
        <label>Fig. 8</label>
        <caption>
          <p>Selection of artefacts uncovered by the Italian Archaeological Mission in the so-called “<italic>buca</italic>”.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-9-site.jpg"><alt-text/> <long-desc>Selection of artefacts uncovered by the Italian Archaeological Mission in the so-called “buca”.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-9-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>cc by 2.0</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Once the outstanding nature of many of the “<italic>buca</italic>” findings had been acknowledged, Schiaparelli was unsure about how to justify the macroscopic traces of wilful demolition on such precious (and sacred) objects, even if the idea of a “votive” deposit seems to underlie his words:<xref ref-type="bibr" rid="ref32">32</xref></p>
    <p>
      <named-content content-type="text-column">[…] Taluno ci domanderà come sia avvenuto che frammenti di monumenti così preziosi come quelli che abbiamo illustrati, si trovassero insieme raccolti in una buca, mentre nella zona circostante, già coperta di monumenti nulla più si è trovato: e altri potrà domandarci per quale serie di eventi il sacello di Tjoser, il tabernacolo di Seti e la tavoletta di [Amonenapet] siano stati ridotti in minuti frammenti ed in scheggie informi, colla evidente intenzione di distruggerli e sieno poi invece stati pazientemente raccolti per enumerarli coi resti di altri oggetti votivi: ma a tali domande mi è<named-content content-type="pagination">9</named-content> facile rispondere, come non si è finora trovata spiegazione esauriente circa le migliaia di immagini di [?] le centinaia di statue rinvenute dal [Legrain] nella grande fossa del tempio di Narsete [Karnak].</named-content>
    </p>
    <p>
      <named-content content-type="text-column">[…] Someone will ask us how it happened that fragments of monuments as valuable as those we have illustrated were found together collected in a hole, while in the surrounding area, already covered with monuments, nothing more was found; and others may ask us what series of events caused the sacellum of Tjoser, the naos of Seti and the tablet of [Amonenapet] to be reduced to minute fragments and shapeless splinters, with the evident intention of destroying them, and then to be patiently collected to list them with the remains of other votive objects: but to such questions it is easy for me to answer, as until now no exhaustive explanation has been found for the thousands of images of [?] the hundreds of statues found by [Legrain] in the great cachette of the temple of Narsete [Karnak].<named-content content-type="pagination">10-11</named-content></named-content>
    </p>
    <p>Despite the exceptional number and quality of the uncovered artefacts and the efforts made to piece together all the archival information in order to provide a valid re-contextualisation for them,<xref ref-type="bibr" rid="ref33">33</xref> the lack of a photographic record of the discovery<xref ref-type="bibr" rid="ref34">34</xref> and the then-believed absence<xref ref-type="bibr" rid="ref35">35</xref> of archaeological parallels for the monumental mudbrick concentric structure (including its cachettes/votive hoards) has long constituted an obstacle for a complete understanding and re-evaluation of the Italian excavations at Heliopolis.</p>
    <p>Moreover, it has long been unclear what the relation was between Schiaparelli’s “tempio” and another mud brick structure that Petrie identified, less than 10 years later during his excavations at Heliopolis, as a “Hyksos Fort”.<xref ref-type="bibr" rid="ref36">36</xref></p>
    <p>How could one get out of this dead end? It was time to move beyond the comfort zone of the study of the “archival” Heliopolis and start a fruitful dialogue with the present-day City of the Sun.</p>
  </sec>
  <sec>
    <title>3. Current excavations (Klara Dietze)</title>
    <p>More than a century after Ernesto Schiaparelli and the M.A.I. had been active at the site, in 2012, Aiman Ashmawy (Ministry of Tourism and Antiquities of Egypt in Cairo) and Dietrich Raue (Ägyptisches Museum – Georg Steindorff – der Universität Leipzig) founded the Heliopolis Project: an Egyptian-German mission that conducts archaeological rescue investigations in several areas of the main temple precinct of Heliopolis (modern Matariya).<xref ref-type="bibr" rid="ref37">37</xref> Of particular interest for the collation with the Italian excavation is Area 232, which – according to Federica Ugliano’s research – is located ca. 200 m south of the trenches associated with the “<italic>tempio del Sole</italic>” in the southeastern part of the main temenos (Figs. 9–10). Thanks to the support of the Gerda Henkel Foundation and many additional donors, nine field seasons were carried out in the area between 2015 and 2021.<xref ref-type="bibr" rid="ref38">38</xref></p>
    <p>
      <fig>
        <label>Fig. 9</label>
        <caption>
          <p>Areas of excavation of the Heliopolis Project (Photo: Google Earth). © i3mainz.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-10-site.jpg"><alt-text/> <long-desc>Areas of excavation of the Heliopolis Project (Photo: Google Earth). © i3mainz.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-10-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>
      <fig>
        <label>Fig. 10</label>
        <caption>
          <p>Overview of the economic precinct of the 7<sup>th</sup>–2<sup>nd</sup> century BC encroaching on the inner facade of the embankment of Thutmosis III in Area 232, view to the northwest (Photo: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-11-site.jpg"><alt-text/> <long-desc>Overview of the industrial precinct of the 7th–2nd century BC encroaching on the inner facade of the embankment of Thutmosis III in Area 232, view to the northwest (Photo: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-11-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Area 232 is located along the inner facade of a massive mudbrick embankment (Figs. 11–12) that is most likely to be identified with the “massive vault” described by Schiaparelli as well as Petrie’s “Hyksos fort/Fort bank” (see below). According to recent studies, it was probably built around the main temple site in the 5<sup>th</sup> regnal decade of Thutmosis III to lessen the threat of flood waters.<xref ref-type="bibr" rid="ref39">39</xref> During its excavation in Area 232, a limestone threshold was found in situ and identified as one of the original gates to the main temenos of the 18<sup>th</sup> Dynasty. Moreover, the excavations at the gate confirmed the existence of an inner sand core, already described by Petrie.<xref ref-type="bibr" rid="ref40">40</xref></p>
    <p>
      <fig>
        <label>Fig. 11</label>
        <caption>
          <p>The mudbrick embankment of Thutmosis III in Area 232 (digital drawing: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-12-site.jpg"><alt-text/> <long-desc>The mudbrick embankment of Thutmosis III in Area 232 (digital drawing: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-12-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>
      <fig>
        <label>Fig. 12</label>
        <caption>
          <p>Detail of the mudbrick embankment of Thutmosis III in Area 232 (photo: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-13-site.jpg"><alt-text/> <long-desc>Detail of the mudbrick embankment of Thutmose III in area 232 (photo: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-13-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Inside the enclosed area, the site revealed housing structures and economic workshops predominantly dating to the 7<sup>th</sup>–2<sup>nd</sup> century BC. The earliest strata above groundwater date back to the late Ramesside period. Along the inner facade of the embankment, a deposit – most likely dating from the 20<sup>th</sup>–22<sup>nd</sup> Dynasty – was documented. It comprised more than a hundred wilfully demolished cult objects, among<named-content content-type="pagination">12</named-content> them tiny fragments of royal statues and temple reliefs, for example two fragments of statues of Tuthmoside kings, one of alabaster, the other of granodiorite,<xref ref-type="bibr" rid="ref41">41</xref> and a statue base of Amenhotep III (Fig. 13).</p>
    <p>
      <fig>
        <label>Fig. 13</label>
        <caption>
          <p>Selection of objects from the deposit of the 20<sup>th</sup>–22<sup>nd</sup> Dynasty, along the inner facade of the embankment of Thutmosis III in Area 232 (photo: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-14-site.jpg"><alt-text/> <long-desc>Selection of objects from the deposit of the 20th–22nd Dynasty, along the inner facade of the embankment of Thutmose III in area 232 (photo: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-14-site.jpg"/><permissions><copyright-statement/> <copyright-holder/> <license license-type="creative-commons"><license-p>none</license-p></license> </permissions></media>
      </fig>
    </p>
    <p>During the early Late Period (7<sup>th</sup>–5<sup>th</sup> century BC), the site was dominated by the workshops of the temple economy, which probably served the cult processes and sacrificial offerings in the main temenos. Bread, in particular, was produced in kitchens equipped with rows of pottery kilns. Functionally related to the bakeries was a slaughterhouse, the waste of which has been archaeologically attested in the area.<xref ref-type="bibr" rid="ref42">42</xref> A large number of bones have been found, almost exclusively of young cattle and bearing butchery marks. These were uncovered in a dumping site consisting of broad black ash layers mixed with pottery rubble that contributed to the corpus of trays and cups characterizing the Late Period strata of the precinct.</p>
    <p>Furthermore, a votive deposit was discovered during the dismantling of a mudbrick housing structure of the late 26<sup>th</sup>/early 27<sup>th</sup> Dynasty, built against and later encroaching on the inner facade of the embankment (Fig. 14). The deposit – contained in a small cavity inside the masonry – was filled with precious finds, including five metal ingots, a limestone tablet with the canonical grid lines, a fragment of what may be a flute or a reed instrument,<xref ref-type="bibr" rid="ref43">43</xref> a fragment of a Hathor sistrum of faience, several fragments of New Year flasks, and amulets, beads and shells (Fig. 15). Another votive deposit was located on the outside of the same housing structure. This was inside a pit and also contained a wide range of objects, among which two small metal statuettes of child-gods stand out.</p>
    <p>
      <fig>
        <label>Fig. 14</label>
        <caption>
          <p>Architectural setting of the votive deposit of the late 26<sup>th</sup>/early 27<sup>th</sup> Dynasty inside the mudbrick masonry of a housing structure in Area 232 (Photo: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-15-site.jpg"><alt-text/> <long-desc>Architectural setting of the votive deposit of the late 26th/early 27th Dynasty inside the mudbrick masonry of a housing structure in area 232 (Photo: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-15-site.jpg"/><permissions><copyright-statement/> <copyright-holder/> <license license-type="creative-commons"><license-p>none</license-p></license> </permissions></media>
      </fig>
    </p>
    <p>
      <fig>
        <label>Fig. 15</label>
        <caption>
          <p>Selection of objects from the votive deposit of the late 26<sup>th</sup>/early 27<sup>th</sup> Dynasty inside the mudbrick masonry of a housing structure in Area 232 (photo: Klara Dietze). © Heliopolis Project.</p>
        </caption>
        <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-16-site.jpg"><alt-text/> <long-desc>Selection of objects from the votive deposit of the late 26th/early 27th Dynasty inside the mudbrick masonry of a housing structure in area 232 (photo: Klara Dietze). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-16-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
      </fig>
    </p>
    <p>Large parts of the former economic structures were in use until the Early and Mid-Ptolemaic time (3<sup>rd</sup>–2<sup>nd</sup> century BC). Intensive use of the kilns in the kitchens indicates that the site’s main focus remained the production of bread. While the economic activities of the Late Period were most likely associated with the Saite renaissance of the Heliopolitan temple (initiated by Psamtik I), the cult activity in the main temenos had probably already lain fallow under the Ptolemies. The food production in Area 232 in that period was thus very likely for the benefit of a different group of people, whose identity remains to be determined.<named-content content-type="pagination">13-14</named-content></p>
  </sec>
  <sec>
    <title>4. A dialogue of past and present excavations (Klara Dietze)</title>
    <p>By comparing the accounts on the “<italic>tempio del Sole</italic>” with the results from Area 232, several similarities are striking. In the following, the four main correspondences of these excavations will be summarized, explained and interpreted.</p>
    <sec>
      <title>4.1. Comparison of the “tempio del Sole” with the 18<sup>th</sup> Dynasty embankment in Area 232</title>
      <p>In the “<italic>tempio del Sole</italic>”, Schiaparelli claims to have observed “[…] un edificio di forma circolare o, più esattamente, un segmento di circolo […]” with a diameter of about 600 m and 40 m wide walls, which, as he thought, must be identified as a temple itself.<xref ref-type="bibr" rid="ref44">44</xref> The structure can most likely be identified with the 18<sup>th</sup> Dynasty mudbrick embankment part of which was detected in Area 232 and the neighbouring Area 231 (Fig. 9),<xref ref-type="bibr" rid="ref45">45</xref> first and foremost because the relocation of the relevant trenches of the M.A.I. as well as the plan published by Petrie both indicate that the structure ran through both areas, and because the descriptions of certain structural details, such as solidity and the existence of an inner sand core, are consistent. However, the supposedly internal features of the structure strongly confused Schiaparelli: he gave an account of several narrow mudbrick walls, vaults, pillars and small inner chambers built contemporaneously to the embankment.<xref ref-type="bibr" rid="ref46">46</xref> Judging by the results from Area 232, these features are likely to correlate either to:</p>
      <p>
        <list list-type="simple">
          <list-item>
            <p>a) the inner sand core of the embankment and/or possibly inner retaining walls,</p>
          </list-item>
          <list-item>
            <p>b) or more recent housing structures from the Late Period built onto the embankment, but perhaps not recognized as such in 1903 and thought to belong instead to the original structure.</p>
          </list-item>
        </list>
      </p>
      <p>Thus far, the current excavations have yielded no indications of an architecturally designed internal structure of the embankment as postulated by Schiaparelli. With regard to this, it can be assumed that the embankment served as a particularly strong enclosure wall rather than as a temple, as Schiaparelli thought.</p>
    </sec>
    <sec>
      <title>4.2. Comparison of the “buca” with the votive deposits in Area 232</title>
      <p>The account of the “<italic>buca</italic>” does not seem too unusual in the light of the several deposits documented in Area 232; not least because these may all be associated with the Thutmoside embankment as an instance of sacred liminality.<xref ref-type="bibr" rid="ref47">47</xref> The aforementioned deposit in the walls of a housing structure of the 26<sup>th</sup>/27<sup>th</sup> Dynasty, leaning against and encroaching on the embankment facade, was created as a cavity in the mudbrick masonry (Fig. 14–15). Thus, it is conceivable that the “<italic>buca</italic>” might also have been a cavity in the masonry of a more recent building erected along and/or over the embankment, a building which, however, was not recognized as such. Otherwise, it could also have been a votive pit (as are also attested in Area 232) dug from above into the masonry of the embankment – and, again, not recognized as such. That the “<italic>buca</italic>” must have been a more recent deposit, despite all uncertainties, results from the chronological difference between the postulated dating of the embankment to the 18<sup>th</sup> Dynasty and the cubit of Shoshenq I, which is the most recent certainly dated object from the “<italic>buca</italic>”<xref ref-type="bibr" rid="ref48">48</xref> and offers a terminus ad/post quem for the deposition.<xref ref-type="bibr" rid="ref49">49</xref></p>
      <p>The location of the deposit(s) within the sacred precinct suggests that they probably served as the ritual burial place for the objects in them. It is noticeable that, except for the fossilized sea urchin, the “<italic>buca</italic>” was mainly filled with royal donations (e.g. the naos fragments of Djoser and Sethi I), whereas, for example, the deposit in the masonry of the Late Period housing structure in Area 232 probably exclusively held private offerings (e.g. the metal ingots<xref ref-type="bibr" rid="ref50">50</xref>).</p>
      <p>Yet another observation is striking: while the majority of the objects from the “<italic>buca</italic>” display traces of wilful demolition, being “[..] ridotti in minuti frammenti ed in scheggie informi”,<xref ref-type="bibr" rid="ref51">51</xref> the objects from the masonry deposit appear to be generally unharmed. However, the deposit of the 20<sup>th</sup>–22<sup>nd</sup> Dynasty from the inner side of the embankment in Area 232 comprised more than one hundred tiny fragments, the majority of which originate from royal donations to the main temple and could certainly be described as “[..] ridotti in minuti frammenti ed in scheggie informi”.<named-content content-type="pagination">15</named-content></p>
    </sec>
    <sec>
      <title>4.3. Comparison of the findings of destroyed temple inventories</title>
      <p>Probably the most crucial feature of both excavations are the large amounts of demolished temple inventory, which – in case of the Italian investigations – was mainly found in the “<italic>buca</italic>”. The fact that the finds were subjected to deliberate destruction (“[…] colla evidente intenzione di distruggerli […]”) is proven by the dimensions of the fragments, which suggest that the objects were systematically smashed into small pieces, as well as by the traces of fire that can be detected on most of the fragments. As mentioned before, it is particularly the deposit from the inner side of the embankment in Area 232 that included a large amount of demolished temple inventory, mainly temple reliefs and royal statuary from the New Kingdom. Furthermore, the majority of the limestone relief fragments from the deposit were heavily burnt. The analysis of pottery sherds from the context suggests that the objects were deposited in the late Ramesside period or early Third Intermediate Period. The record of the deposit matches with occasional observations from preceding seasons when several valuable objects were found scattered around the site, among them fragments of naoi, royal statues and large sphinxes, and private votive stelae. The object categories, the sizes of the fragments and the traces of fire crucially link them to the features from 1903. So far, it is unclear what process led to the fragmentation of the objects. Whether the objects were purposely (ritually?) smashed for deposition or fell victim to a violent attack and were only later deposited is the subject of ongoing research.</p>
    </sec>
    <sec>
      <title>4.4. Comparison of pottery types and stratigraphy</title>
      <p>In his excavation journal, Ballerini sketched the two main types of pottery that the Italian Mission came across in the south-eastern part of Heliopolis, in what they called the “<italic>trincee a meridione</italic>” (Fig. 16), probably located only 30 m east of Area 232.<xref ref-type="bibr" rid="ref52">52</xref> The drawings can easily be identified as representing the two main types from Area 232: trays of rough fabric and mastoid drinking cups from the Late Period strata (Fig. 17).<xref ref-type="bibr" rid="ref53">53</xref> Similarly to the recent excavations, the M.A.I. found the majority of the sherds in extensive ash layers probably originating from large-scale industrial processes.</p>
      <p>
        <fig>
          <label>Fig. 16</label>
          <caption>
            <p>Entry in the journal of Francesco Ballerini with sketches of ceramic trays and cups from the “<italic>trincee a meridione</italic>“ (southern trenches), dated to 12 April 1904. © Archivio di Stato, Torino, Fondo MAE, Terzo Versamento.</p>
          </caption>
          <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-17-site.jpg"><alt-text/> <long-desc>Entry in the journal of Francesco Ballerini with sketches of ceramic trays and cups from the “trincee a meridione“ (southern trenches), dated to 12 April 1904. © Archivio di Stato, Torino, Fondo MAE, Terzo Versamento.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-17-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
        </fig>
      </p>
      <p>
        <fig>
          <label>Fig. 17</label>
          <caption>
            <p>Selection of ceramic trays and cups from the Late Period strata in Area 232 (drawings: Pieter Collet, Anne Herzberg-Beiersdorf, Nora Shalaby). © Heliopolis Project.</p>
          </caption>
          <media xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-18-site.jpg"><alt-text/> <long-desc>Selection of ceramic trays and cups from the Late Period strata in Area 232 (drawings: Pieter Collet, Anne Herzberg-Beiersdorf, Nora Shalaby). © Heliopolis Project.</long-desc><uri xlink:href="https://rivista.museoegizio.it/wp-content/uploads/2022/03/fig-18-site.jpg"/><permissions><copyright-statement/> <copyright-holder/><license license-type="creative-commons"><license-p>none</license-p></license></permissions></media>
        </fig>
      </p>
      <p>These matching excavation results indicate that the “<italic>tempio del Sole</italic>” can most likely be identified as an archaeological context that is connected stratigraphically, chronologically and in terms of its original functionality to the results from Area 232. The find corpora, in particular, seem to allow the interpretation of both sites as belonging to the same economic precinct of the Late Period. In view of the recent excavations, it seems probable that Schiaparelli misunderstood different usage strata, which – as in Area 232 – most likely encompassed more than 1000 years. He assumed the architectural features to be contemporary and belonging to one and the same “circular building”. This explains why a complete understanding of the structure and the archaeological find circumstances of the famous objects from the “<italic>buca</italic>” has been prevented thus far. However, a large part of the archaeological context of the “tempio del Sole” and its deposit might be reconstructed by comparing it with the results from Area 232.<named-content content-type="pagination">16</named-content></p>
    </sec>
  </sec>
  <sec>
    <title>5. Conclusion (Federica Ugliano)</title>
    <p>Though still too often overlooked, archives are increasingly being recognised as powerful instruments for a reconsideration not only of the history of Egyptology as a discipline, or of the birth account of many museum collections, but also and especially for the study of sites excavated in past and present times.<xref ref-type="bibr" rid="ref54">54</xref></p>
    <p>But in order to overcome the intrinsic limits of any archival source,<xref ref-type="bibr" rid="ref55">55</xref> it is fundamental to go beyond the aesthetics of self-referential archival study and constantly move back and forth between the old records and the field, as new archaeological standards can compensate for the lack, loss and bias of past practices.</p>
    <p>As clearly demonstrated by the proposed case-study, the dialogue between archives, past and current excavations, museum collections and newly discovered artefacts has not only contributed significantly to a better understanding of the archaeological topography and historical development of one of the most significant sites of Egyptian history, but also allows for a re-interpretation of old data and provides highly important objects in the Museo Egizio with a probable archaeological context.</p>
    <p>In our case, the dialogue between past and present fieldwork was decisive to clear many interpretative hurdles, which could not be overcome without constantly moving back and forth between the archive and the field. It also presented us with the opportunity to check and test assumptions made on a theoretical level against actual archaeological results.</p>
  </sec>
  <sec>
    <title>6. Acknowledgments</title>
    <p>We would like to express our gratitude to Christian Greco, the Museo Egizio staff, to Marilina Betrò and the Università di Pisa (Dipartimento di Civiltà e Forme del Sapere) for financial support, and to the Archivio di Stato di Torino, the SAPAB-TO (Torino), the Archivio Centrale (Roma) and the Istituto Veneto di Scienze, Lettere ed Arti (Venezia) for permission to access the unpublished archival material related to the M.A.I excavations.</p>
    <p>Furthermore, we are deeply indebted to Aiman Ashmawy and Dietrich Raue for their support in the research and their permission to publish the results. Equally, we would like to thank Khaled Abou el-Ella and Hoda Ahmed Kamal for their continued support of our work in the field and beyond, the other team members from Egypt and many other countries, as well as Rais El-Amir Kamil Saddiq and Rais Ashraf El-Amir, and the workmen from Quft and Matariya/Arab el-Hisn.</p>
    <p>Finally, sincere thanks are due to the Gerda Henkel Foundation, which provided substantial support for the research project on the findings in Area 232.</p>
  </sec>
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		<ref id="ref1">
			<label>ref1</label>
			<mixed-citation>For a historical overview of the site, see Kákosy, <italic>LÄ</italic> II (1977), cols. 1111–13; Raue, <italic>Heliopolis und das Haus des Re</italic>, 1999 and related bibliography; Saleh, <italic>Excavations at Heliopolis</italic>, I, 1981; Curto, in Donadoni Roveri (ed.), <italic>Civiltà degli Egizi. Le credenze religiose</italic>, 1988. For discussions and texts related to the Egyptian cosmogony, see Allen, <italic>Genesis in Egypt</italic>, 1988, pp. 8–35; Bickel, <italic>La cosmogonie égyptienne</italic>, 1994, pp. 33–80; Calmettes, in Bruwier and Doyen (eds.), <italic>Heliopolis</italic>, 2019; Raue, <italic>Annuaire de l&#039;École pratique des hautes études</italic> 125 (2018); Raue, <italic>Reise zum Ursprung der Welt</italic>, 2020, pp. 23–36.
				
			</mixed-citation>
		</ref>
		<ref id="ref2">
			<label>ref2</label>
			<mixed-citation>Strabo, who visited the city in the 1<sup>st</sup> century B.C., already bears witness to the state of total neglect and the destruction of its monumental buildings; see El-Banna, <italic>Le voyage à Héliopolis</italic>, 2014, pp. 14–17. See also Abd el Fattah and Gallo, in Empereur (ed.), <italic>Alexandrina I</italic>, 1998; Yoyotte, in Goddio (ed.), <italic>Alexandria</italic>, 1998; Müskens, <italic>Egypt Beyond Representation</italic>, 2017.
				
			</mixed-citation>
		</ref>
		<ref id="ref3">
			<label>ref3</label>
			<mixed-citation>Connor and Abou Al-Ella, <italic>ZÄS</italic> 147/2 (2020); Heiden, <italic>MDAIK</italic> 58 (2002); Leospo, in Donadoni Roveri and Tiradritti (eds.), <italic>Kemet</italic>, 1998, p. 125; Saleh, <italic>Excavations at Heliopolis</italic>, I, 1981, pp. 39–41. As very little information regarding Heliopolitan material reused in major Roman period buildings of the “Old Cairo/Babylon of Egypt” area is available, further research into pre-10<sup>th</sup>-century reuse of pharaonic <italic>spolia</italic> has great potential to shed light on this phenomenon. See, for example: Sheehan, <italic>Babylon of Egypt</italic>, 2010, p. 65 (fig. 30), note 62 on p. 146, note 68 on p. 148.
				
			</mixed-citation>
		</ref>
		<ref id="ref4">
			<label>ref4</label>
			<mixed-citation>For a summary of the first western documentary sources, see Gabolde and Laisney, <italic>MDAIK</italic> 73 (2017), pp. 107–09, and related bibliography. The City of the Sun was never forgotten by Arab scholars and travellers; see, for example, de Sacy, <italic>Relation de l’Égypte, par Abd-Allatif</italic>, 1810, pp. 180–81, 225–29 and notes.
				
			</mixed-citation>
		</ref>
		<ref id="ref5">
			<label>ref5</label>
			<mixed-citation>Abd el-Gelil et al., Or 65 (1996); Jeffreys, in Leahy and Tait (eds.), <italic>Studies on Ancient Egypt in Honour of H.S. Smith</italic>, 1999, pp. 157–68; Raue, <italic>Heliopolis und das Haus des Re</italic>, 1999, pp. 465–85; Saleh, <italic>Excavations at Heliopolis</italic>, I, 1981; Saleh, <italic>Excavations at Heliopolis</italic>, II, 1983; for an account of the more recent excavations, see infra note 37.
				
			</mixed-citation>
		</ref>
		<ref id="ref6">
			<label>ref6</label>
			<mixed-citation>Curto, in Donadoni Roveri (ed.), <italic>Civiltà degli Egizi. Le credenze religiose</italic>, 1988; Curto, <italic>Storia del Museo Egizio di Torino</italic>, 1990<sup>3</sup>, pp. 53–57, 107–12; Del Vesco and Ugliano, in Del Vesco and Moiso (eds.), <italic>Missione Egitto</italic>, 2017, pp. 230–32; Donadoni Roveri, in Donadoni Roveri et al. (eds.), <italic>Il Museo Egizio di Torino</italic>, 1988, pp. 39–40; Leospo, in Donadoni Roveri and Tiradritti (eds.), <italic>Kemet</italic>, 1998; Moiso, in Moiso (ed.), <italic>Ernesto Schiaparelli e la tomba di Kha</italic>, 2008, pp. 201–03, 210, 212–13, 222, 228; Moiso, <italic>La storia del Museo Egizio</italic>, 2016, p. 88; Roccati, in Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989; Sbriglio and Ugliano, in Pinarello et al. (eds.), <italic>Current Research in Egyptology</italic>, 2015; Ugliano, “La collezione predinastica”, 2016, pp. 103–40; Ugliano, in Midant-Reynes and Tristant (eds.), <italic>Egypt at Its Origins</italic> 5, 2017, pp. 203–05; Ugliano, <italic>in preparation</italic>.
				
			</mixed-citation>
		</ref>
		<ref id="ref7">
			<label>ref7</label>
			<mixed-citation>Letter from Schiaparelli to Emilio Ponzio Vaglia, Minister of the Royal House, 12/06/1902 (Torino, Archivio di Stato, Fondo MAE, Secondo Versamento, Primo Mazzo, Fascicolo 5): “[…] Però uno simile scavo del tempio presenterebbe non lievi difficoltà, sia per l&#039;espropriazione dei terreni che sono ora di privata proprietà, sia per le spese, certo relativamente notevoli, trattandosi non di rimuovere della sabbia, come negli altri scavi in Egitto, ma creta e blocchi di ingenti dimensioni, fino alla profondità di alcuni metri, e sopra un&#039;area certo assai larga. […] Le Missione archeologiche francesi, tedesca, inglese ecc. preferirono piccoli scavi, da esaurirsi in breve tempo, ed evitarono uno scavo come quello di Eliopoli, che, per dare i risultati che se ne sperano, esige proprio tempo lungo, lavoro, ricerche pazienti, regolari e perseveranti […] But an excavation of the temple area might face many difficulties, for the expropriation of the fields, which are now of private ownership, and for the considerable economical investments, because it is necessary to clear away not just sand, but also clay and massive blocks, until a depth of several metres, along an extensive area. […] The French, German and English archaeological missions preferred smaller excavations, to be completed in less time, and avoided an excavation like ours at Heliopolis, which, to obtain the hoped-for results, requires strenuous efforts, and patient, regular and persevering investigations.” In 1906, Jean Capart, financially supported by the industrialist Édouard Empain, asked Maspero for permission to enter the Italian concession, but was denied his request; see Bruffaerts and Bruwier, in Van Loo and Bruwier (eds.), <italic>Héliopolis</italic>, 2010, p. 36. For a discussion about the relationship between Maspero and his European colleagues, see also Jarsaillon, <italic>RiME</italic> 1 (2017), pp. 8–10.
				
			</mixed-citation>
		</ref>
		<ref id="ref8">
			<label>ref8</label>
			<mixed-citation>Del Vesco and Moiso (eds.), <italic>Missione Egitto</italic>, 2017, pp. 136–37 (n. 116, 118).
				
			</mixed-citation>
		</ref>
		<ref id="ref9">
			<label>ref9</label>
			<mixed-citation>Schiaparelli and Ballerini, “Missione Archeologica Italiana in Egitto”, 1904, pp. 18–20; De Dapper and Herbich, <italic>EgArch</italic> 46 (2015); Petrie and Mackay, <italic>Heliopolis</italic>, 1915, pp. 1, 3.
				
			</mixed-citation>
		</ref>
		<ref id="ref10">
			<label>ref10</label>
			<mixed-citation>For a summary account of each of the four campaigns, see Moiso, in Moiso (ed.), <italic>Ernesto Schiaparelli e la tomba di Kha</italic>, 2008, pp. 201–03, 210, 212–13, 222, 228; Sbriglio and Ugliano, in Pinarello et al. (eds.), <italic>Current Research in Egyptology</italic>, 2015, pp. 284–92; Ugliano, “La collezione predinastica”, 2016, pp. 103–33; Ugliano, <italic>in preparation</italic>.
				
			</mixed-citation>
		</ref>
		<ref id="ref11">
			<label>ref11</label>
			<mixed-citation>The total of 1550 inventory numbers does not correspond to the total amount of artefacts coming from the M.A.I. excavations at Heliopolis: as demonstrated by the present author’s checking of the inventory and survey in the Museo Egizio storerooms carried out since 2019 with the support of the Museo Egizio Collection Management staff (Sara Aicardi, Valentina Brambilla), a single inventory number may correspond to many fragments or several typologically similar objects. The assessment of the quantitative and qualitative nature of this collection is still ongoing. Many artefacts – e.g. pottery sherds and flint tools unearthed from the so-called “prehistoric village” – have yet to be inventoried and precisely quantified.
				
			</mixed-citation>
		</ref>
		<ref id="ref12">
			<label>ref12</label>
			<mixed-citation>Khater, <italic>Régime juridique</italic>, 1960, pp. 271–73, 275–79; Lyons, <italic>JEA</italic> 1 (1914). See also Jarsaillon and Del Vesco, in Del Vesco and Moiso (eds.), <italic>Missione Egitto</italic>, 2017, pp. 126–27; Ikram, in Silverman (ed.), <italic>Contested Cultural Heritage</italic>, 2011, pp. 142–45; Stevenson, <italic>Scattered Finds</italic>, 2019, pp. 259–60.
				
			</mixed-citation>
		</ref>
		<ref id="ref13">
			<label>ref13</label>
			<mixed-citation>Torino, Archivio di Stato, Fondo MAE, Secondo Versamento, Secondo Mazzo, Fascicolo 2 e 6. The so-called “Manuscript Inventory” is not just a list of objects, as it often provides additional information about clusters of artefacts and their relative “stratigraphical” relations. A preliminary inventorying of the artefacts seems to have been done directly on site or, if at a later time, always in accordance to the place of discovery thanks to accurate notes left inside the storage boxes. Schiaparelli’s interest in understanding and recording the original context of excavated artefacts has already been pointed out by Del Vesco, in Kahl et al. (eds.), <italic>Asyut</italic>, pp. 64-65, 281-82.
				
			</mixed-citation>
		</ref>
		<ref id="ref14">
			<label>ref14</label>
			<mixed-citation>Sbriglio and Ugliano, in Pinarello et al. (eds.), <italic>Current Research in Egyptology</italic>, 2015, p. 280; Ugliano, “La collezione predinastica”, 2016, pp. 27–28. The only published accounts are short summary descriptions, see Breccia, <italic>Faraoni senza pace</italic>, 1939, pp. 236–38; Weill, <italic>Sphinx</italic> 15 (1911), pp. 9–11. In 2017, Giulia Deotto and Paola Zanovello (Università di Padova) kindly reported to the author the presence of a typewritten document among the archival material stored in the Istituto Veneto di Scienze, Lettere ed Arti (Venezia) and related to Carlo Anti’s excavations in Egypt (Deotto, “L’Università di Padova in Egitto”, 2015). After a re-analysis and a complete transcription of the document, the present author identified it as an incomplete draft of the publication of the M.A.I. excavations at Heliopolis, written by Schiaparelli presumably in 1928. Unfortunately, many important data (inventory numbers, photographs, images and plans) were left out. A copy of this document has been recently recovered in the archives of Ernesto Scamuzzi by Beppe Moiso, curator of the Museo Egizio; it will soon be transcribed and compared with the above-mentioned Venetian version (Moiso, personal communication, 2021). This draft, whose full publication is forthcoming, is used as a source in the present article.
				
			</mixed-citation>
		</ref>
		<ref id="ref15">
			<label>ref15</label>
			<mixed-citation>Archivio di Stato di Torino; Museo Egizio; Biblioteca Reale di Torino; Istituto Veneto di Scienze, Lettere ed Arti (Venezia); Archivio Centrale dello Stato (Roma).
				
			</mixed-citation>
		</ref>
		<ref id="ref16">
			<label>ref16</label>
			<mixed-citation>Roccati, in Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, p. 167.
				
			</mixed-citation>
		</ref>
		<ref id="ref17">
			<label>ref17</label>
			<mixed-citation>My search for the documents concerning the Italian excavations at Heliopolis began in 2014, in collaboration with Alice Sbriglio, who in her postgraduate diploma dissertation discussed the amulets found by Schiaparelli in the so-called “<italic>kom</italic>” area (see Sbriglio, “Gli scavi Schiaparelli a Eliopoli [1903–1906]”, 2014; Sbriglio and Ugliano, in Pinarello et al. [eds.], <italic>Current Research in Egyptology</italic>, 2015). The research was then carried on by the author as her PhD dissertation, with a focus on the Predynastic evidence (Ugliano, “La collezione predinastica”, 2016; Ugliano, in Midant-Reynes and Tristant [eds.], <italic>Egypt at Its Origins 5</italic>, 2017). A complete re-analysis of all the archival material and a complete publication of the history of the M.A.I excavations at Heliopolis is forthcoming (Ugliano, <italic>in preparation</italic>).
				
			</mixed-citation>
		</ref>
		<ref id="ref18">
			<label>ref18</label>
			<mixed-citation>The preliminary selection of the documents was not restricted to the excavation records themselves, but included all the information concerning the people involved, the general organisation, the logistics and the administrative paperwork. For this reason, the basic criterion adopted for the selection of the documents was the presence of explicit or implicit reference to the site of Heliopolis/Matariya.
				
			</mixed-citation>
		</ref>
		<ref id="ref19">
			<label>ref19</label>
			<mixed-citation>Stevenson, <italic>EDAL</italic> 4 (2013); Stevenson, in Gosden (ed.), <italic>Oxford Handbooks Online</italic>, 2015, pp. 5–6.
				
			</mixed-citation>
		</ref>
		<ref id="ref20">
			<label>ref20</label>
			<mixed-citation>For the life and work of Francesco Ballerini, see Consonni et al. (eds.), <italic>L&#039;Egitto di Francesco Ballerini</italic>, 2012.
				
			</mixed-citation>
		</ref>
		<ref id="ref21">
			<label>ref21</label>
			<mixed-citation>In our case, the sketches were geo-referenced with QGIS (QGIS.org, 2020. QGIS Geographic Information System. QGIS Association. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="http://www.qgis.org">http://www.qgis.org</ext-link>), using control points taken from a 1:5000 cadastral map (sheet n° IV-VII-3) published by the Survey of Egypt in 1917, but compiled from a 1:2500 Cadastral sheet surveyed in 1911–1915, revised in 1912–1915. For a complete account of the work of the “Survey of Egypt” Department, see Murray (ed.), <italic>The Survey of Egypt 1898–1948</italic>, 1950. For a history of the survey methodology and land classification at the beginning of the 20<sup>th</sup> century, see Lyons, <italic>The Cadastral Survey of Egypt 1892–1907</italic>, 1908.
				
			</mixed-citation>
		</ref>
		<ref id="ref22">
			<label>ref22</label>
			<mixed-citation>Schiaparelli and Ballerini, “Missione Archeologica Italiana in Egitto”, 1904, pp. 20–23.
				
			</mixed-citation>
		</ref>
		<ref id="ref23">
			<label>ref23</label>
			<mixed-citation>For a more detailed list of objects, see also Schiaparelli, “Missione Archeologica Italiana in Egitto”, 1903.
				
			</mixed-citation>
		</ref>
		<ref id="ref24">
			<label>ref24</label>
			<mixed-citation>Only in the final draft of the publication did Schiaparelli (“Eliopoli. Abbozzo Relazione”, [1928], pp. 8–9) abandon his original misleading definitions of these cavities as “corridors” (1903) or “crypts” (1904): “[…] Però se i ritrovamenti furono scarsi, sì nell&#039;interno come nell&#039;esterno del nostro edifizio, si ebbe però la fortunata sorpresa di [ritrovare] in una specie di buca scavata nello spessore stesso del voltone, una quantità assai considerevole di frammenti di monumenti e di svariati oggetti votivi che senza dubbio erano stati offerti al tempio.” / “[…] Despite the modest quantity of artefacts unearthed inside and outside our building, we have been fortunate enough to discover, within a kind of hole dug out in the vault thickness, a considerable amount of fragmentary monuments and votive objects which, without any doubt, had been dedicated to the temple.” A 1:100 wooden model of this structure was commissioned by Schiaparelli and it is still at the Museo Egizio (P. 8274). Even if the date of this modern model is difficult to define, it seems to represent the excavated structure according to Schiaparelli’s first interpretation of the cavities as “corridors”. See also Del Vesco e Moiso (eds.), <italic>Missione Egitto</italic>, 2017, p. 234, n° 199.
				
			</mixed-citation>
		</ref>
		<ref id="ref25">
			<label>ref25</label>
			<mixed-citation>Roccati, in Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989 and related catalogue entries (pp. 168–75). See also Fiore Marochetti, in Ciampini and Zanovello (eds.), <italic>Antichità egizie e Italia</italic>, 2014, pp. 77–80; Webb, <italic>RiME</italic> 1 (2017), pp. 3–4, 8–9.
				
			</mixed-citation>
		</ref>
		<ref id="ref26">
			<label>ref26</label>
			<mixed-citation>Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, p. 170 (n. 3), with further bibliography; Laboury, <italic>La statuaire de Thoutmosis III</italic>, 1998, pp. 290–91, 688. Curiously, despite the fact that the central part of the sphinx body was missing, the two fragments were restored as joining together.
				
			</mixed-citation>
		</ref>
		<ref id="ref27">
			<label>ref27</label>
			<mixed-citation>Contardi, <italic>Il Naos di Sethi I</italic>, 2009; Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, pp. 27–28 (n. 5), with further bibliography.
				
			</mixed-citation>
		</ref>
		<ref id="ref28">
			<label>ref28</label>
			<mixed-citation>Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, pp. 19–20 (n. 1) and related bibliography; Donadoni Roveri and Tiradritti (eds.), <italic>Kemet</italic>, 1998, pp. 260–61; see also Nuzzolo and Krejčí, <italic>ÄgLev</italic> 27 (2017), pp. 357, 361–62.
				
			</mixed-citation>
		</ref>
		<ref id="ref29">
			<label>ref29</label>
			<mixed-citation>Del Vesco e Moiso (eds.), <italic>Missione Egitto</italic>, 2017, pp. 236–37 (n. 202), with further bibliography.
				
			</mixed-citation>
		</ref>
		<ref id="ref30">
			<label>ref30</label>
			<mixed-citation>Del Vesco e Moiso (eds.), <italic>Missione Egitto</italic>, 2017, p. 237 (n. 203); Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, p. 168 (n. 1), with further bibliography.
				
			</mixed-citation>
		</ref>
		<ref id="ref31">
			<label>ref31</label>
			<mixed-citation>Donadoni Roveri (ed.), <italic>Dal Museo al Museo</italic>, 1989, pp. 173–74 (n. 12), with further bibliography; Karlshausen and De Putter, <italic>RiME</italic> 1 (2017).
				
			</mixed-citation>
		</ref>
		<ref id="ref32">
			<label>ref32</label>
			<mixed-citation>Schiaparelli, “Eliopoli. Abbozzo Relazione”, [1928], pp. 38–39; in square brackets, the integrations proposed by Carlo Anti to the lacunae left in Schiaparelli’s text.
				
			</mixed-citation>
		</ref>
		<ref id="ref33">
			<label>ref33</label>
			<mixed-citation>According to the author’s interpretation of the archival documentation, the most probable location of the “<italic>buca</italic>” should be the front courtyard of the present Obelisk Open Air Museum (Matariya).
				
			</mixed-citation>
		</ref>
		<ref id="ref34">
			<label>ref34</label>
			<mixed-citation>The “<italic>buca</italic>” was found by Schiaparelli and his Egyptian team, led by the Government assistant rais, Hassanein Dessouki, in 1903 while Ballerini, who was usually in charge of the photographic and field records, was supervising the excavation in Giza, in collaboration with reis Ibrahim Faied. Very little information has been found so far on reis Hassanein, whose name is never cited in the official reports, but only in several documents from the financial section of Schiaparelli’s archive; the choice of hiring Hassanein for Heliopolis (and Ibrahim Faied for Giza) could have been made on the advice of Barsanti, who had worked with them on other excavations. See Barsanti, <italic>ASAE</italic> 12 (1912), p. 41; Maspero, <italic>Rapport</italic>, 1912, p. 244.
				
			</mixed-citation>
		</ref>
		<ref id="ref35">
			<label>ref35</label>
			<mixed-citation>Contrary to this (still widespread) assumption, the Heliopolitan embankment is not unique, but has a number of parallels in Egypt, especially in the Delta region, as well as beyond. See Dietze, <italic>in preparation</italic>.
				
			</mixed-citation>
		</ref>
		<ref id="ref36">
			<label>ref36</label>
			<mixed-citation>Petrie and Mackay, <italic>Heliopolis</italic>, 1915, pp. 3–4, pls. I–III.
				
			</mixed-citation>
		</ref>
		<ref id="ref37">
			<label>ref37</label>
			<mixed-citation>For general information, see &lt;a href=&quot;https://www.dainst.org/forschung/projekte/noslug/5724?tx_wfdaiprojects_projects%5Bnav%5D=open&amp;cHash=3b7aa586f8a97e09771f4a166e878247
&quot;&gt;https://www.dainst.org/forschung/projekte/noslug/5724?tx_wfdaiprojects_projects%5Bnav%5D=open&amp;cHash=3b7aa586f8a97e09771f4a166e878247
&lt;/a&gt;. For the results of recent excavations, see Ashmawy et al., <italic>Report</italic>, 2014; Ashmawy, Beiersdorf and Raue, <italic>EgArch</italic> 47 (2015); Ashmawy, Beiersdorf and Raue, <italic>Report</italic>, 2015; Ashmawy et al., <italic>Report</italic>, 2016; Blaschta in Ashmawy, Raue and von Recklinghausen (eds.), <italic>Von Elephantine bis zu den Küsten des Meeres</italic>, pp. 1–70; Ashmawy, Connor and Raue, <italic>EgArch</italic> 55 (2019).
				
			</mixed-citation>
		</ref>
		<ref id="ref38">
			<label>ref38</label>
			<mixed-citation>The spectrum of features and finds from Area 232 is the subject of Klara Dietze’s ongoing dissertation, “An economic precinct of the 7<sup>th</sup>-2<sup>nd</sup> century BC at the embankment of Thutmosis III in the temple of Heliopolis (Area 232)”, funded by the Gerda Henkel Foundation (Dietze, <italic>in preparation</italic>).
				
			</mixed-citation>
		</ref>
		<ref id="ref39">
			<label>ref39</label>
			<mixed-citation>On the embankment in the archaeological context of Area 232 and its probable identification with the <named-content content-type="traslitterazione">sbtj n(.j) wmt.t</named-content> of Thutmosis III, see Dietze in Ashmawy, Dietze and Raue (eds.), <italic>Heliopolis – Kultzentrum unter Kairo</italic>, 2020. The dating of the embankment to the Thutmosis period is further corroborated by the ceramic evidence of sherds taken from the mud bricks in Area 232 and the neighbouring Area 231 (Fig. 9). The latter is located only 20 m north of Area 232 and was shortly investigated by the Egyptian-German mission in spring 2015, when a portion of the same mudbrick embankment was revealed. The ceramics were analyzed by Dietrich Raue (Area 232: Raue, personal communication, 2021; Area 231: see Ashmawy, Beiersdorf and Raue, <italic>Report</italic>, 2015, pp. 3–4).
				
			</mixed-citation>
		</ref>
		<ref id="ref40">
			<label>ref40</label>
			<mixed-citation>Petrie and Mackay, <italic>Heliopolis</italic>, 1915, pl. II (top).
				
			</mixed-citation>
		</ref>
		<ref id="ref41">
			<label>ref41</label>
			<mixed-citation>Stylistic features of both fragments speak for an identification as either Thutmosis III or Amenhotep II (an identification as Hatshepsut is rather improbable due to historical circumstances). We are grateful to Simon Connor for this information.
				
			</mixed-citation>
		</ref>
		<ref id="ref42">
			<label>ref42</label>
			<mixed-citation>We would like to thank Louise Bertini (American Research Center in Egypt) and Salima Ikram (American University in Cairo) for the archaeozoological analyses of the bone material.
				
			</mixed-citation>
		</ref>
		<ref id="ref43">
			<label>ref43</label>
			<mixed-citation>A detailed examination of the fragment is still pending.
				
			</mixed-citation>
		</ref>
		<ref id="ref44">
			<label>ref44</label>
			<mixed-citation>Petrie (who was rather sure that he investigated the same structure as Schiaparelli only a few years before him) also claimed that its eastern wall measured ca. 40 m in width, Petrie and Mackay, <italic>Heliopolis</italic>, 1915, pl. II.
				
			</mixed-citation>
		</ref>
		<ref id="ref45">
			<label>ref45</label>
			<mixed-citation>See Dietze in Ashmawy, Dietze and Raue (eds.), <italic>Heliopolis – Kultzentrum unter Kairo</italic>, 2020, pp. 39–41; Ashmawy, Beiersdorf and Raue, <italic>Report</italic>, 2015, pp. 3–4. Since the course of a modern road – east of Areas 231 and 232 – prevented tracing the masonry of the embankment to its outer edge east of Area 232, no conclusions about the width can be made on the basis of the current findings.
				
			</mixed-citation>
		</ref>
		<ref id="ref46">
			<label>ref46</label>
			<mixed-citation>Schiaparelli and Ballerini, “Missione Archeologica Italiana in Egitto”, 1904, pp. 18–19: “[…] Sotto l&#039;azione dell&#039;acqua i mattoni crudi dell&#039;edifizio perdettero spesso la loro forma, sicché a persona ancora inesperta riesca sempre difficile e talora impossibile il distinguere i ruderi antichi dai soverchianti depositi di limo che completamente li avvolgono. Furono perciò necessarie continue, perseveranti e diligentissime osservazioni prima che il nostro occhio si abituasse a discernere con sicurezza i resti dell&#039;antica costruzione dal terreno che li circondava; anzi, in questo periodo preliminare cademmo in inevitabili errori, distruggendo talora inconsapevolmente parti dell&#039;antico edifizio.” /  “[…] Under the action of the water, the mudbricks often lost their shape, so that it is always difficult and sometimes impossible for a still inexperienced person to distinguish between the ancient remains and the overlying silt layers that shroud them completely. Therefore, continuous, persevering and very diligent observations were necessary before our eye became accustomed to clearly distinguishing the remains of the ancient building from the surrounding soil; indeed, in this preliminary phase, we lapsed into inevitable errors, sometimes unwittingly destroying parts of the ancient building.”
				
			</mixed-citation>
		</ref>
		<ref id="ref47">
			<label>ref47</label>
			<mixed-citation>The possible connection of the deposits to the embankment will be further elaborated on in Dietze, <italic>in preparation</italic>.
				
			</mixed-citation>
		</ref>
		<ref id="ref48">
			<label>ref48</label>
			<mixed-citation>As Karlshausen and De Putter were able to show, the sea urchin also contained in it could even date to the 30<sup>th</sup> Dynasty, see Karlshausen and De Putter, <italic>RiME</italic> 1 (2017). The limestone tablet with the floor plan and inventory of the Heliopolitan temple may also be dated to the Third Intermediate Period. We thank Federico Poole for this information.
				
			</mixed-citation>
		</ref>
		<ref id="ref49">
			<label>ref49</label>
			<mixed-citation>Under the premise that the embankment did not have any other construction phases of the Third Intermediate Period – no such are known to us – in which the “<italic>buca</italic>” could possibly have been dug.
				
			</mixed-citation>
		</ref>
		<ref id="ref50">
			<label>ref50</label>
			<mixed-citation>Cf. for example the four deposits from the 27<sup>th</sup> Dynasty within the priests’ settlement in the temple of Karnak, which included metal ingots of comparable shape and size as well as coins and further fragments of silver, copper and copper alloy. See Masson in G. Gorre, A. Marangou (eds.), <italic>La présence grecque</italic>, 2016, pp. 32–37; figs. 11–15.
				
			</mixed-citation>
		</ref>
		<ref id="ref51">
			<label>ref51</label>
			<mixed-citation>“[…] reduced to minute fragments and shapeless scraps”.
				
			</mixed-citation>
		</ref>
		<ref id="ref52">
			<label>ref52</label>
			<mixed-citation>This information is based on Federica Ugliano’s relocalisation of the trenches of the M.A.I.
				
			</mixed-citation>
		</ref>
		<ref id="ref53">
			<label>ref53</label>
			<mixed-citation>We thank Dietrich Raue for this information.
				
			</mixed-citation>
		</ref>
		<ref id="ref54">
			<label>ref54</label>
			<mixed-citation>Ljungkvist and Frölund, <italic>Journal of Archaeology and Ancient History</italic> 16 (2015); Löwenborg, in Huvila (ed.), <italic>Perspectives to Archaeological Information</italic>, 2014, pp. 12–15; Malek, in Assmann et al. (eds.), <italic>Thebanische Beamtennekropolen</italic>, 1995; Stevenson, <italic>Journal of the History of Collections</italic> 26/1 (2014); Stevenson, <italic>Scattered Finds</italic>, 2019; Stevenson et al., <italic>WorldArch</italic> 48/2 (2016); Thomas and Villing, <italic>BMSAES</italic> 20 (2013).
				
			</mixed-citation>
		</ref>
		<ref id="ref55">
			<label>ref55</label>
			<mixed-citation>Because their formation was not a deliberate act, archives did not originate as historical records. Thus, in order to be used as trusted resources, their authenticity, reliability and integrity needed to be established (Duranti, <italic>Il documento archivistico</italic>, 2004, pp. 22–25). Moreover, it is always important to bear in mind that archives represent the point of view, the identity and the experiences of their creator and, in this respect, must be interpreted and critically examined (Riggs, <italic>Photographing Tutankhamun</italic>, 2019, pp. 42–45, with further bibliography; Stevenson, <italic>Scattered Finds</italic>, 2019 p. 16, with further bibliography.)
				
			</mixed-citation>
		</ref>
	</ref-list>
		</back>
		
		</article>